Learn from the comfort of your home

I provide  online guitar lessons via Zoom, for those of you unfamiliar with Zoom it's a really easy way to interact, all you need is a laptop or pc and and internet access and voila!- you don't even need the zoom app (but its free to download)

How does it work?

 I would send you a zoom invitation in an email just before the appointed lesson begins (a link that would be highlighted in your email) and all you have to do is click on the link to begin the session!

Customized lessons for you i.e.;

I'm a beginner, where do I start?

I know a little but I want to learn more!

Can you help me learn this song?

Can you help me write a song?

I want to learn how to play a guitar solo


To book a lesson and to let me know what you would like out of the lesson email me at;

 it's that easy!


Prices; 60nz$ 40min lesson; 45nz$ 30min lesson

If unsatisfied there will be no charge

NB, if satisfied with your lesson you can go to my music store situated just below, select either the 40min or 30min lesson to pay, easy! 



MANA BLUES available now!

MUSIC STORE: prices include postage in New Zealand

Mana Blues Vids


Ora blues Vids (live at The Chapel)

Live Recordings


Making Awa Blues.

By Grant Haua


There were a few driving concepts for this album, for starters it was long overdue. It had been 10yrs since my last solo album and for some reason 10yrs seemed like a good reason to do another one!

On the last album all the songs were first takes. I'd practice twice, then record the third- no overdubs, that would be the final take, which was the theme for that particular album, it works well because with that approach there's a rough and real honesty in the songs that hopefully people can hear and make them easier to relate to. 

On this album I wanted to take that attitude a little further, keep it acoustic but add a few extra instruments, spend more time  polishing the individual tracks, yet try to maintain that rough integrity. and hopefully record some good stuff. 

 I have quite a relaxed view to songwriting, I'm not a fan of overthinking songs, that can lead to a traffic jam of your own making, and that's not conducive to quantity let alone quality, but lucky for me I've always been an avid reader, (mostly fantasy novels) which tends to expand the vocabulary a little and really helps when you're trying to drum up lyrics without overthinking them too much.

Some songs start to take on a life of their own once the recording process starts. ''Addiction'', for example is a song I really wanted to do justice, It's one that's been bouncing around in my head for a long time and it has personal significance. It's a relatable subject to many, it's a ''relationship in peril'' song,,, a boy losing a girl or a girl losing a boy song because of too much drugs n alcohol (classic country music stuff)''- ingredients of a good blues or country song

It wasn't until I started recording the songs that I discovered all these driving narratives within the tunes were written for the most part on auto pilot,,, without thinking too much, they tended to be honest lyrically, covering a lot of narrative ground without really knowing exactly how, but that didn't matter because with this approach at least I knew the why.

In the song, ''This is the Place'', the emotion I felt when I recorded the first vocal really took me by surprise. I almost choked up singing that song because I was so immersed in it, it dragged me in. I was getting flashbacks of my mum, of old childhood friends, my wife and kids, my dad, the whole deal. It was unexpectedly intense but gloriously genuine, you can't fake that stuff, it's the good stuff! Incidentally we kept that take-the very first take, and that's what's on the album.

Recording ''Tough Love Mama'' was a similar experience, but not so intense, more humor orientated. We had fun on that track and that playful approach was exactly what was needed.

Tapping into personal experiences/ relationships can lend a lot of weight to a song but it's we how translate those experiences that makes or breaks them. Songs like ''Devil is a Woman'', ''Keep on Smiling'' , Got Something if you Want It'', Mamas Boy'' all have humorous undertones. I essentially took the same approach I did on ''Tough Love Mama'' for them.

For songs like ''My Baby'', "Better Day'' and ''Be Yourself',' I took a similar approach to ''Addiction'' or ''This is the Place''. All these songs have different subject material, but all are basically recorded with the same attitude in mind. If there wasn't a close personal connection to the song it didn't matter, as long as I took the same approach.

Fortunately for me the other musicians, Tim Julian (engineer, keyboards, shakers, bass), Grant Bullot (Harp), and Jesse Colbert (Double Bass) nailed the sentiment of the album to a tee.

The feeling and imagery I'm trying to convey in this album is pretty simple. I'm a huge fan of simplicity. I like simple but great food. I want a song to be as satisfying as a Sunday Roast, a tune as good as eating big fat oysters straight from shell, and guitar picking as good as sipping a cool beer on a hot day.

I want the listeners of this album to feel like they're guests in my home and like the songs my home is pretty simple but it's warm, cozy and friendly. You don't have to take your shoes off when you come in and you just help yourself to anything. The kettles just boiled or there's a cold beer in the fridge. So welcome. This is my place. Kia ora koutou


Grant Haua


Grant is a “salt of the earth” kind of guy. When we put together a bio for him he said “Nah man. I am a just a guy with a guitar. You need to tell the story straight”. So who better than to tell his story than the man himself - the following is Grants bio, straight from the horse’s mouth. - DF Records

Biography by Grant Haua.

I picked up guitar when I was 13, my younger brother had got one for Christmas the year before and I noticed he was already starting to get admiring glances when he played from the girls at our school, I said to myself "dam I need to learn the guitar too",  unfortunately for me my brother was a better looker and player than me, so it didn't quite work out, but I've been playing guitar ever since.

I like to think I've paid my dues, its hard to tell growing up and gigging in a small but beautiful country like Aotearoa New Zealand, being based in a country with a population of 4 million, one often wonders about overseas acts to see where you stand, since  the end of Covid I've toured around Europe twice and Australia twice as well, with a lot of shows in between back home, touring really is the best way to polish your act.

  I've been the primary singer/songwriter/guitarist on 8 studio albums and 2 live over the years, my first solo album "Knucklehead" released in 2010 had good reviews  resulting in an article on the album, it opened a few doors for me on the local circuit- one thing led to another and I ended up meeting percussionist Michael Barker [Neil Finn, John Butler Trio] - we hit it off straight away and formed "Swamp Thing", and for the following 8 years we wrote and toured regularly.

Mike was already a veteran in the industry at that time, the benefit of him being in bands that have done big U.S. TV shows like Letterman and Leno soon became apparent, straight off the bat we were doing festivals that were tough to get on, and after a few years we were headlining festivals both here and in Australia, slowly we progressed to bigger stages like Womad (NZ), Womadelaide (Aus), Woodford Folk Festival (Aus). It was on these stages we really excelled, often selling more cds than the more well known headline acts. After our Womad 2017 performance in New Plymouth  we occupied both the 1 and 2 spots for album sales in the NZ charts.

In Jan 2019 after 4 albums and many tours through Australia and New Zealand I made the difficult decision to depart Swamp Thing,  to focus on the music I really enjoy, soul music, and things are going pretty good, my 2nd solo album "AWA BLUES" was a Top 25 album of the year in Rolling Stone magazine France in 2021 and it really it opened up touring in Europe for me, getting a gig on the iconic German Music TV show Rockpalast is a highlight and more recently Taratata in Paris. I'm currently with the small but almost family French label DixieFrog and I couldn't be happier,, having released 4 albums thus far under their banner,,, and I'm still trying to learn the guitar.

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